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Expressionist Pieces (for solo piano)

1. Skipton Road
2. Canon Cancrizans
3. Quasi Allegro

Total duration : 11 minutes 15 seconds
(I. -   4' 30;      II. -   3' 00;      III. -   3' 45)

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Listen to complete live performance of Expressionist Pieces (for solo piano) :


mauve play button      1. Skipton road


mauve play button      2. Canon Cancrizans


mauve play button      3. Quasi Allegro
Geraint Davies on cover of a programme for his piano concert series in May/June 1992

First complete performance :

Tuesday 2nd June 1992


British Music Information Centre
Stratford Place, London W1
performed by:

Geraint Davies - Piano



First performance of Skipton Road :

Wednesday 26th June 1991

Recital room - Goldsmith's College
performed by: Geraint Davies - Piano


Cover of concert series by Geraint Davies May/June 1992

Abstract video with 1st Expressionist Piece - Skipton Road :


These three pieces were written for Geraint Davies, the first piece for his performance at Goldsmith's College in 1991. The other two pieces were added for his performance at BMIC in 1992.
Geraint's interest in, and commitment to, contemporary and experimental music gave me an opportunity to explore more way-out structures, knowing he would get inside the music and unify the most diverse compositional techniques.

Original programme notes:

Skipton Road

This piece was started, and the opening section completed, in a small hotel on Skipton Road, Utley, about nine miles out of Bradford, while I was accompanying workshops organized by a ballet company one autumn. Although the piece is in no way descriptive, the character of the opening is perhaps more redolent of moorlands as winter approaches than summer holidays on the Adriatic.
The piece was very much thought of in terms of the piano's resonance; the way overtones give static chords a sense of movement and produce their own complex harmonies. And of course the other attraction of writing for solo piano is the pianist's sense of tradition which informs the playing of everything, so the music can range from ponderous rubato sections to precise rhythmic passages.

Canon Cancrizans

This piece is basically a two part invention although sometimes intervals or chords are integrated into the individual voices. The retrograde part is sometimes changed slightly for compositional reasons. The strict nature of this canonic form gives the music a certain quality but there is no point in the piece where the music suddenly and obviously reverses; for me this would destroy the momentum of the composition.

Quasi allegro

This piece uses one of my favourite styles of piano writing. The piece has the quality of monodic writing, single lines becoming clusters, sparse chords and tremolandos, producing a piece that is linear and percussive with toccata like passages. Some material from Skipton Road is used in this piece.